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9 edition of J.S. Bach"s Precepts and principles for playing the thorough-bass or accompanying in four parts found in the catalog.

J.S. Bach"s Precepts and principles for playing the thorough-bass or accompanying in four parts

Johann Sebastian Bach

J.S. Bach"s Precepts and principles for playing the thorough-bass or accompanying in four parts

Leipzig, 1738 : translation with facsimile, introduction, and explanatory notes

by Johann Sebastian Bach

  • 53 Want to read
  • 17 Currently reading

Published by Clarendon Press, Oxford University Press in Oxford, New York .
Written in

    Subjects:
  • Continuo -- Early works to 1800,
  • Musical accompaniment -- Early works to 1800

  • Edition Notes

    Includes index.

    Statementby Pamela L. Poulin.
    GenreEarly works to 1800.
    SeriesEarly music series ;, 16, Early music series (London, England : 1976) ;, 16.
    ContributionsPoulin, Pamela L., Thieme, Carl August, 1721-1795., Bach, Johann Sebastian, 1685-1750.
    Classifications
    LC ClassificationsMT49 .B1713 1994
    The Physical Object
    Paginationp. cm.
    ID Numbers
    Open LibraryOL1085937M
    ISBN 100198162251
    LC Control Number94009840

    The secondary literature on and his music is vast, but fortunately the field is well served by bibliographies. Throughout this book, we suggest starting points for research on particular compositions and topics, but for more extensive coverage, one should consult the bibliographic tools listed in /5(8). [5] It would be unwise, for example, to believe without further evidence his story (Mein Leben, p. ) that the Paris press during the Tannhäuser events of "was entirely in Meyerbeer's hands"; that (p. ) Meyerbeer had some years before bribed Fétis père to write articles against Wagner; or (p. ) that Berlioz was influenced against Wagner by his wife, who had received a present.

    LIFE OF BEETHOVEN. INTRODUCTION. DURING the painful illness of full four months which terminated in the death of Ludwig van Beethoven, he was one day conversing with Hofrath von Breuning and myself on the subject of Plutarch's Lives. Breuning took advantage of the long-wished-for opportunity to ask Beethoven, apparently without any particular. In he became principal oboist in Brüggen’s Orchestra of the 18th Century. As well as numerous oboe obbligatos with the Leonhardt Ensemble for the Telefunken complete recording of the cantatas of J.S. Bach, Ebbinge has recorded the concertos and sonatas for oboe by C.P.E. Bach, Vivaldi concertos and Zelenka trio sonatas.

    p Alberto Basso: Frau Musica: la vita e le opere di J.S. Bach. [Book Review] reviewer: Daw p Peter Williams: The organ music of J.S. Bach, iii: a background. [Book Review] reviewer: Butt p Oliver Ellsworth: The Berkeley manuscript. [Book Review] reviewer: Curtis p Ralph Kirckpatrick: Domenico Scarlatti. [Book Review. Full Text for The Musical Heritage of the Church, Volume V (Text).


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J.S. Bach"s Precepts and principles for playing the thorough-bass or accompanying in four parts by Johann Sebastian Bach Download PDF EPUB FB2

Get this from a library. J.S. Bach's Precepts and principles for playing the thorough-bass or accompanying in four parts: Leipzig, [Johann Sebastian Bach. Believed to have been dictated by J.S.

Bach to one of his students at the Leipzig Thomas-Schule, the Precepts and Principles for Playing the Thorough Bass or Accompanying in Four Parts is the most important teaching document of Bach's to have survived, providing insights into his teaching of harmony and fugue, and perhaps on his compositional process as : Johann Sebastian Bach.

Get this from a library. J.S. Bach's Precepts and principles for playing the thorough-bass or accompanying in four parts: Leipzig, [Johann Sebastian Bach; Pamela L.

Free Online Library: J.S. Bach's Precepts and Principles for Playing the Thorough-Bass or Accompanying in Four Parts, Leipzig: by "Notes"; Music Library and information science Book.

Open Library is an open, editable library catalog, building towards a web page for every book ever published. Bach's precepts and principles for playing the thorough-bass or accompanying in four parts by Johann Sebastian Bach,Clarendon Press, Oxford University Press edition, in.

Summary Believed to have been dictated by J.S. Bach to one of his students at the Leipzig Thomas-Schule, the Precepts and Principles for Playing the Thorough Bass or Accompanying in Four Parts is the most important teaching document of Bach's to have survived, providing insights into his teaching of harmony and fugue, and perhaps on his compositional process as well.

Bach’s Precepts and Principles For Playing the Thorough-Bass or Accompanying in Four Parts, just as Pamela Poulin has done in her facsimile reproduction and discussion of this document published in 4. Hans-Joachim Schulze, Studien zur Bach-Überlieferung im Jahrhundert, Leipzig and Dresdenp.

Pamela Poulin,File Size: KB.English, Book, Illustrated edition: J.S. Bach's Precepts and principles for playing the thorough-bass or accompanying in four parts: Leipzig, / translation with facsimile, introduction, and explanatory notes by Pamela L.

Poulin. Bach, Johann Sebastian, nally, Bach’s method of thorough-bass instruction has been preserved for us in the book J.S. Bach’s Precepts and Principles for Playing the Thorough-Bass or Accompanying in Four Parts, which was allegedly dictated by Bach to one of his students at Leipzig.

The logic of File Size: KB. Butler, Gregory ‘ J. Bachs Kanonische Veränderungen über “Vom Himmel hoch” (BWV ). Precepts and Principles for Playing the Thorough-Bass or Accompanying in Four Parts.

Leipzig, Oxford: Clarendon Press, Cited by: 4. Poulin, Pamela L., J. Bach’s Precepts and Principles for Playing the Thorough-bass or Accompanying in Four Parts. Leipzig, (Oxford, ) Praetorius, Michael, De Organographia = Syntagma musicum, vol. 2 (Wolfenbüttel, )Author: Peter Williams.

He also says "See also the new annotated translation by P L Poulin, J S Bach -- Precepts and principles for playing the thorough-bass or accompanying in four parts (Oxford, ), pp " So, if you have issues with Niedt, I invite you to check it out in those places (Schulze, Poulin, and Butt), rather than considering that you already have.

Translated as J. Bach’s precepts and principles for playing the thorough-bass or accompanying in four parts: Leipzig,trans.

and ed. Poulin (Oxford, ).Author: Rebecca Cypess. Poulin as J. Bach's precepts and principles for playing the thorough-bass or accompanying in four parts (Oxford, ). Re Thieme, see H.J. Schulze, ' "Das Stück im.

Finally, Bachs method of thorough-bass instruction has been preserved for us in the book J.S. Bachs Precepts and Principles for Playing the Thorough-Bass or Accompanying in Four Parts, which was allegedly dictated by Bach to one of his students at Leipzig.3/5(6).

Baß oder Accompagnement (Leipzig, ). english translation in: J. Bach’s Precepts and Principles for Playing the Thorough-Bass or Accompanying in Four Parts, Leipzig, – Translation with Facsimile, Introduction, and Explanatory Notes Pamela, ed.

Poulin (oxford: oxford university Press, ). banchieri, : Ewald Demeyere. [3] J. Bach, Precepts and Principles For Playing the Thorough-Bass or Accompanying in Four Parts, tr., Pamela Poulin. New York: Oxford University Press, The work is not in Bach’s hand.

Spitta believed it to be in Peter Kellner’s, a contemporary and admirer of Bach. Johann Sebastian Bach and George Frideric Handel were both Baroque composers who used the Italian and French styles that were the basic language of the study of Bach and Handel is interesting because of their marked similarities and subtle and Handel were of.

Choice. Current review for academic Book xxxii/ () (V. Panetta) Diapason lxxxvi/ (Apr ) (Enrique Alberto Arias) Notes li/ ()(David Schulenberg) Poulin, Pamela L.

(trans.): J. Bach's Precepts and Principles For Playing the Thorough-Bass or Accompanying in Four Parts. Leipzig, Poulin, Pamela L. (trans.): J. Bach's Precepts and Principles For Playing the Thorough-Bass or Accompanying in Four Parts.

Leipzig, EarlyMSer 16 (), p Trans. with facsimile, introduction and explanatory notes. Preface by Christoph Wolff. Prelude on a Partimento: Invention in the Compositional Pedagogy of the German States in the Time of J.

S. Bach. under a section titled “Principles for Playing in Four Parts.” The section Author: Vasili Byros.INTRODUCTION. Purpose of the Study of the History of Music.—The purpose of the study of the history of music is to trace the development of the many phases which make up modern music which we cannot but regard as a great social force, an intellectual, an uplifting we consider it from the material side, it is one of magnitude; we need but think of the money invested in buildings.This banner text can have markup.

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